Atlantic Crossing

Product Information

Wouldn't we all rather have heard an album recorded with the MGs (who make an appearance) than the session musicians he replaced them with? I know I would have.

The title indicated Stewart's new commercial and artistic direction, referring to both his crossing over to Warner Brothers and on his departure to escape the 83 per cent top rate of income tax introduced by British Labour Prime Minister Harold Wilson for the jet-set lifestyle in Los Angeles (where he had applied for American citizenship at this time). The album was divided into a fast side and a slow side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland. Stewart would repeat the format for his next two albums.The Official UK Charts Company: ALBUM CHART HISTORY". Archived from the original on 16 December 2007 . Retrieved 16 December 2007. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9. Top 50 Albums of 1976" (PDF). Music Week. 25 December 1976. p.14. Archived (PDF) from the original on 9 March 2021 . Retrieved 30 November 2021– via worldradiohistory.com.

p)&(c) 1975 Riva Records Ltd. The Catalog# K56151 (Original Warner Brothers Number) is refered to on the label as "formally". El disco se compone de dos caras, como es lógico en cualquier vinilo, divididas en temáticas. La cara A, la llama Fast Side y son canciones más movidas, a mi juicio, sin demasiada trascendencia. La mayoría son de Rod Stewart y no, no es un gran compositor. La cara B en cambio, llamada Slow Side, son esos temas míticos compuestos por otros y dónde Rod Stewart brilla como la estrella baja bragas que es. I don't want to talk about it, This old heart of mine, Sailing... pa qué las prisas, que decimos en mi tierra. Rolling Stone Album Guide". Rolling Stone. Archived from the original on 5 January 2013 . Retrieved 24 August 2017.

Companies, etc.

British album certifications – Rod Stewart – Atlantic Crossing". British Phonographic Industry . Retrieved 16 February 2012. Este disco, aunque está perfecto, no me parece que se escuche especialmente bien. Se oye bien, ojo, pero no es el sonido ese espectacular que se espera. When going through Stewart's solo early solo records I'm always wary that maybe this one will be the one in which he abandons his early sound for the money-chasing of his later career. But the truth is never so straight-forward and so I find myself listening to a record that manages to both sound close enough to his early sound to not piss me off but also has enough signs of impending doom as to piss me off.